Poet Yona Harvey and scholar Tahira J. Walker explore what it means to be a Black woman living in a city deemed most unlivable for them. The pair will discuss their respective works and the intersection of history, community, marginalization, ...
What are we missing when we limit the literary canon to American works? In this reading and discussion, City of Asylum Writers-in-Residence share the books and writers from their home countries—Algeria, Egypt, Haiti, and Ukraine—that made an impact on their ...
Poets Aaron El Sabrout, imogen xtian smith, and Julian Talamantez Brolaski take to the Alphabet Reading Garden for a poetic exploration of trans and nonbinary ecologies and understanding one’s own ecosystems ...
Writer-in-Residence Volodymyr Rafeyenko has supplied a 600-word essay in Ukrainian to be translated by Mark Andryczyk, Dominique Hoffman, and Halyna Hryn. In this program, Mark, Dominique, and Halyna go head-to-head to defend their revealed translations. Who will come out on ...
Anne Carson, one of the most celebrated classicists of our times, will participate in staged readings from her works "Cassandra Float Can" (based on Aeschylus’s "Cassandra") and "Antigonick" (based on Sophokles’s "Antigone") ...
"Dialogues" is Chatham's annual conversation around socially relevant themes, these year featuring the theme HOME. This program features Malcolm Friend, Adriana Ramirez, & Angela Velez reading their work and discussing Sandra Cisneros’ "The House on Mango Street," a seminal text in the exploration of home.
August Wilson House celebrates America’s greatest playwright with substantial insider interviews, with leading August Wilson actors, directors and artists, national and regional. Hosted and moderated by Chris Rawson, veteran Pittsburgh Post-Gazette theater critic who chronicled Wilson’s career and became a friend. The goal is to capture the memories, anecdotes and insights of those who know Wilson’s epic American Century Cycle from the inside.
The series reimagines the past and present history of the arts sector by engaging and presenting the wealth of experience, strategies, and tactics of the global majority, notwhite descendants, inheritors of colonialism, indigenous and immigrants who navigate a predominantly white arts sector.