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Art is often characterized as a “labor of love”—working artists are often challenged with professional precarity yet expected to commit entirely to their craft. Grants, residencies, galleries, and museums support such cultural workers but often overlook the unique needs of and demands faced by one important group: parent artists. 
In this panel, Alisha B. Wormsley and Lenka Clayton, two Pittsburgh-based mothers and working artists, address the unique needs of parent artists in different ways. Moderated by Bunker Projects’ board member Tara Fay Coleman, an artist and mother herself, Wormsley and Clayton discuss how they navigate these roles in their studios, homes, and the residency programs they run.