
A reading and celebration of short fiction honoring 45 years of the Drue Heinz Prize, one of the most significant short fiction awards in the nation, with current and alumni prizewinners.





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  A reading and celebration of short fiction honoring 45 years of the Drue Heinz Prize, one of the most significant short fiction awards in the nation, with current and alumni prizewinners. | 
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  Lou Stellute, Antonio Croes, Ava Lintz, and George Heid III take the stage for a set of jazz standards mixed in with a musically inventive, funky, free, and improvisational performance! | 
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  City of Asylum’s Writer-in-Residence series continues with an exciting preview of Algerian writer and activist Anouar Rahmani’s forthcoming new novel, "The End of the Third World"—a project seven years in the making. | 
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  Is it an address, a favorite place, or a loved one? This November, come ready to share (or judge!) stories exploring all the many things we call Home. | 
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  Paul Thompson, Scott Boni, Dan Wilson, Glenn Zaleski, and David Throckmorton pay tribute to 20-time Grammy award–winning guitarist (and longtime inspiration) Pat Metheny. | 
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  In the World Literature premiere of our fall programming season, novelist Carlos Manuel Àlvaraz will join moderator Anderson Tepper and translator Natasha Wimmer in a reading and discussion of his thrilling new novel depicting the disintegration that comes from being uprooted. | 
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  We welcome back our partners at Reel Q this fall for an international film screening! | 
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  City of Asylum welcomes legendary bassist Dwayne Dolphin, along with Dr. James Moore, Scott Boni, Antonio Croes, and George Heid III, for the album launch of Dwayne’s latest work, a joyous album celebrating jazz as the music of the people. | 
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  “The Atlantic” staff writer George Packer shares his new work of fiction, “The Emergency,” in conversation with writer, critic, and performance poet Adriana E. Ramírez. | 
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  Thomas Wendt and a multi-generational band pay homage to Norman Granz, jazz promoter, visionary, and advocate for equal treatment of musicians in Jim Crow–era America. | 
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