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The #notwhite collective in-Dialogue series features conversations with BIPOC, AALANA, indigenous and immigrant artists and arts administrators. 

August Wilson House celebrates America’s greatest playwright with substantial insider interviews, with leading August Wilson actors, directors and artists, national and regional. Hosted and moderated  by Chris Rawson, veteran Pittsburgh Post-Gazette theater critic who chronicled Wilson’s career and became a friend. The goal is to capture the memories, anecdotes and insights of those who know Wilson’s epic American Century Cycle from the inside.

August Wilson House celebrates America’s greatest playwright with substantial insider interviews, with leading August Wilson actors, directors and artists, national and regional. Hosted and moderated  by Chris Rawson, veteran Pittsburgh Post-Gazette theater critic who chronicled Wilson’s career and became a friend. The goal is to capture the memories, anecdotes and insights of those who know Wilson’s epic American Century Cycle from the inside.

"Dialogues" is Chatham's annual conversation around socially relevant themes, these year featuring the theme HOME. This program features Malcolm Friend, Adriana Ramirez, & Angela Velez reading their work and discussing Sandra Cisneros’ "The House on Mango Street," a seminal text in the exploration of home.

August Wilson House celebrates America’s greatest playwright with substantial insider interviews, with leading August Wilson actors, directors and artists, national and regional. Hosted and moderated by Chris Rawson, veteran Pittsburgh Post-Gazette theater critic who chronicled Wilson’s career and became a friend. The goal is to capture the memories, anecdotes and insights of those who know Wilson’s epic American Century Cycle from the inside.

The series reimagines the past and present history of the arts sector by engaging and presenting the wealth of experience, strategies, and tactics of the global majority, notwhite descendants, inheritors of colonialism, indigenous and immigrants who navigate a predominantly white arts sector. 

The #notwhite collective in-Dialogue series features conversations with BIPOC, AALANA, indigenous and immigrant artists and arts administrators. March’s conversation features Bekezela Mguni & Erin Perry.

Chuck Smith is a long-time, active August Wilson director, a resident director at the Goodman Theatre in Chicago, where he’s supervised and directed Wilson plays (including Gem of the Ocean, which just closed) and, during his free time, a regular director at the West coast Black Theatre Troupe in Sarasota. He seems to know just about everyone in the Wilsonian theater universe. We’ll have a good time talking!

August Wilson House celebrates America’s greatest playwright with substantial insider interviews, with leading August Wilson actors, directors and artists, national and regional. Featuring Ron OJ Parson is working now on his 30th August Wilson production, sometimes as an actor but mainly a director, where he is just one-and-a-half shows short of completing his 10-play Cycle. His long journey allowed him to persuade Chicago’s Court Theatre to consider Wilson a classic, along with other Black playwrights. He says, “I like to bring August into the room.”

The #notwhite collective in-Dialogue series features conversations with BIPOC, AALANA, indigenous and immigrant artists and arts administrators. April’s program features artists Marika Constantino & DS Kinsel.

August Wilson House celebrates America’s greatest playwright with substantial insider interviews, with leading August Wilson actors, directors and artists, national and regional. Hosted and moderated  by Chris Rawson, veteran Pittsburgh Post-Gazette theater critic who chronicled Wilson’s career and became a friend. The goal is to capture the memories, anecdotes and insights of those who know Wilson’s epic American Century Cycle from the inside.

August Wilson House celebrates America’s greatest playwright with substantial insider interviews, with leading August Wilson actors, directors and artists, national and regional. Hosted and moderated  by Chris Rawson, veteran Pittsburgh Post-Gazette theater critic who chronicled Wilson’s career and became a friend. The goal is to capture the memories, anecdotes and insights of those who know Wilson’s epic American Century Cycle from the inside.

Please note: this program has been postponed. New date will be announced soon. 

The #notwhite collective in-Dialogue series features conversations with BIPOC, AALANA, indigenous and immigrant artists and arts administrators.
The series reimagines the past and present history of the arts sector by engaging and presenting the wealth of experience, strategies, and tactics of the global majority, notwhite descendants, inheritors of colonialism, indigenous and immigrants who navigate a predominantly white arts sector.
May’s program features artists Raul Moarquech and Toi Derricotte

The #notwhite collective in-Dialogue series features conversations with BIPOC, AALANA, indigenous and immigrant artists and arts administrators.
The series reimagines the past and present history of the arts sector by engaging and presenting the wealth of experience, strategies, and tactics of the global majority, notwhite descendants, inheritors of colonialism, indigenous and immigrants who navigate a predominantly white arts sector. 
June’s program features artists: Staycee Pearl and Kuldeep Singh

This is an unusual interview for Actors Talk August: a duo of young actors just finishing their first August Wilson play. Brenden Peifer and Melessie Clark are playing Sterling and Risa in “Two Trains Running,” directed by Justin Emeka at Pittsburgh Public Theater (through June 19). Their first encounter with August Wilson traditions, characters and an experienced cast feeds plenty of thought by two lively, smart, responsive professionals just starting their August Wilson journeys.

Sharing Our Story works with people to create their own digital stories in the form of short 3 minute videos.
“Stories of Motherhood” is the fourth storytelling celebrating its completion at City of Asylum. The videos and digital stories shared are from refugee and US-born mothers whose lives and families were impacted by the pandemic. Participating mothers are connected to the Hello Neighbor Network. 

The #notwhite collective in-Dialogue series features conversations with BIPOC, AALANA, indigenous and immigrant artists and arts administrators.
The series reimagines the past and present history of the arts sector by engaging and presenting the wealth of experience, strategies, and tactics of the global majority, notwhite descendants, inheritors of colonialism, indigenous and immigrants who navigate a predominantly white arts sector. 

Celebrating and recognizing arts and cultural workers, especially those who tend to be under the radar and forgotten about, the #notwhite collective has featured speakers from southwestern PA as well as national leaders in the arts. August’s conversation features Natiq Jalil and Victoria Snyder.

These two Pittsburgh actors are featured in “Jitney,” playing into September, 2022, in the theater in the back of August Wilson House in the Hill District. The interview is a stimulating, smart discussion, especially of the father-son emotions of Booster (Berry) and Doub (Timbers), as well as in the many other August Wilson plays they have done for the Pittsburgh Playwrights Theatre.

Art is often characterized as a “labor of love”—working artists are often challenged with professional precarity yet expected to commit entirely to their craft. Grants, residencies, galleries, and museums support such cultural workers but often overlook the unique needs of and demands faced by one important group: parent artists. 
In this panel, Alisha B. Wormsley and Lenka Clayton, two Pittsburgh-based mothers and working artists, address the unique needs of parent artists in different ways. Moderated by Bunker Projects’ board member Tara Fay Coleman, an artist and mother herself, Wormsley and Clayton discuss how they navigate these roles in their studios, homes, and the residency programs they run.

Along with an active career on film and TV, Russell Hornsby has starred in five August Wilson plays, most notably in Denzel Washington’s “Fences” (both on Broadway and on film) and in the title role in “King Hedley II” at the Signature Theatre. His compelling interview is one of the most thoughtful, insightful in the 33 sessions of the Actors Talk August series. Register to see it (just your zip code required) and send the link to August Wilson fans among your friends!

Celebrating and recognizing arts and cultural workers, especially those who tend to be under the radar and forgotten about, the #notwhite collective has featured speakers from southwestern PA as well as national leaders in the arts.
October’s conversation features Shey Rivera.
The #notwhite collective is a group of thirteen women artists whose mission is to use non-individualist, multi-disciplinary art to make our stories visible as we relate, connect, and belong to the global majority.

Each year we gather at Alphabet City to honor an international writer or artist who has overcome efforts to limit their creative freedom. This year’s honoree is Nobel Prize winner Orhan Pamuk.

Rico Parker has strong spiritual ties to the work of August Wilson. He has acted in only three of the plays, but in “King Hedley II,” he played one of the most difficult, complex lead roles in unusually difficult circumstances. Hear his thoughtful responses to the personal connections that make such work possible. Register to see it (just your zip code required) and send the link to August Wilson fans among your friends!

The #notwhite collective in-dialogue series features conversations with BIPOC, AALANA, indigenous, and immigrant artists and arts administrators. The series reimagines the past and present history of the arts sector by engaging and presenting the wealth of experience, strategies, and tactics of the global majority, notwhite descendants, inheritors of colonialism, indigenous, and immigrants who navigate a predominantly white arts sector. 
November’s conversation feature ROSIE GORDON-WALLACE (6:00 PM) and DOMINIQUE ENRIQUEZ (7:00 PM)

How powerful is food, really? Can it bring people together in times of joy and strife? What’s the role of food in diasporic communities? What stories can be told through food?
Franco-Palestinian chef Fadi Kattan ponders these topics and more in what’s sure to be an engrossing evening of contemplation, exploration, and celebration. 

City of Asylum hosts a night of American Sign Language (ASL) performances in the third and final installment of our City of ASL series curated by ASL Poet Laureate of Allegheny County Mj Shahen. April’s performance features Peter Cook and Kenny Lerner, in addition to two Pittsburgh-based performers. 

To live is to tell stories. Embracing that truth, Story Club Pittsburgh (created by the former producers of The Moth Pittsburgh), organizes and hosts a monthly nonfiction storytelling series at City of Asylum. 

A celebration of Ukraine featuring mesmerizing videos created by Ukrainian refugees and Pittsburghers of Ukrainian descent, a music performance, and a captivating dance showcase by Kyiv Dance Ensemble.