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The #notwhite collective in-Dialogue series features conversations with BIPOC, AALANA, indigenous and immigrant artists and arts administrators. April’s program features artists Marika Constantino & DS Kinsel.

August Wilson House celebrates America’s greatest playwright with substantial insider interviews, with leading August Wilson actors, directors and artists, national and regional. Hosted and moderated  by Chris Rawson, veteran Pittsburgh Post-Gazette theater critic who chronicled Wilson’s career and became a friend. The goal is to capture the memories, anecdotes and insights of those who know Wilson’s epic American Century Cycle from the inside.

August Wilson House celebrates America’s greatest playwright with substantial insider interviews, with leading August Wilson actors, directors and artists, national and regional. Hosted and moderated  by Chris Rawson, veteran Pittsburgh Post-Gazette theater critic who chronicled Wilson’s career and became a friend. The goal is to capture the memories, anecdotes and insights of those who know Wilson’s epic American Century Cycle from the inside.

Please note: this program has been postponed. New date will be announced soon. 

The #notwhite collective in-Dialogue series features conversations with BIPOC, AALANA, indigenous and immigrant artists and arts administrators.
The series reimagines the past and present history of the arts sector by engaging and presenting the wealth of experience, strategies, and tactics of the global majority, notwhite descendants, inheritors of colonialism, indigenous and immigrants who navigate a predominantly white arts sector.
May’s program features artists Raul Moarquech and Toi Derricotte

The #notwhite collective in-Dialogue series features conversations with BIPOC, AALANA, indigenous and immigrant artists and arts administrators.
The series reimagines the past and present history of the arts sector by engaging and presenting the wealth of experience, strategies, and tactics of the global majority, notwhite descendants, inheritors of colonialism, indigenous and immigrants who navigate a predominantly white arts sector. 
June’s program features artists: Staycee Pearl and Kuldeep Singh

This is an unusual interview for Actors Talk August: a duo of young actors just finishing their first August Wilson play. Brenden Peifer and Melessie Clark are playing Sterling and Risa in “Two Trains Running,” directed by Justin Emeka at Pittsburgh Public Theater (through June 19). Their first encounter with August Wilson traditions, characters and an experienced cast feeds plenty of thought by two lively, smart, responsive professionals just starting their August Wilson journeys.

Sharing Our Story works with people to create their own digital stories in the form of short 3 minute videos.
“Stories of Motherhood” is the fourth storytelling celebrating its completion at City of Asylum. The videos and digital stories shared are from refugee and US-born mothers whose lives and families were impacted by the pandemic. Participating mothers are connected to the Hello Neighbor Network. 

The #notwhite collective in-Dialogue series features conversations with BIPOC, AALANA, indigenous and immigrant artists and arts administrators.
The series reimagines the past and present history of the arts sector by engaging and presenting the wealth of experience, strategies, and tactics of the global majority, notwhite descendants, inheritors of colonialism, indigenous and immigrants who navigate a predominantly white arts sector. 

Celebrating and recognizing arts and cultural workers, especially those who tend to be under the radar and forgotten about, the #notwhite collective has featured speakers from southwestern PA as well as national leaders in the arts. August’s conversation features Natiq Jalil and Victoria Snyder.

These two Pittsburgh actors are featured in “Jitney,” playing into September, 2022, in the theater in the back of August Wilson House in the Hill District. The interview is a stimulating, smart discussion, especially of the father-son emotions of Booster (Berry) and Doub (Timbers), as well as in the many other August Wilson plays they have done for the Pittsburgh Playwrights Theatre.

Art is often characterized as a “labor of love”—working artists are often challenged with professional precarity yet expected to commit entirely to their craft. Grants, residencies, galleries, and museums support such cultural workers but often overlook the unique needs of and demands faced by one important group: parent artists. 
In this panel, Alisha B. Wormsley and Lenka Clayton, two Pittsburgh-based mothers and working artists, address the unique needs of parent artists in different ways. Moderated by Bunker Projects’ board member Tara Fay Coleman, an artist and mother herself, Wormsley and Clayton discuss how they navigate these roles in their studios, homes, and the residency programs they run.